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Résumé
Examining the development of literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized, this book focuses on four authors typing this trend: Kunikida Doppo, Shimazaki Tōson, Satō Haruo, and Shiga Naoya.
